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Jimmy Gilmore

About Jimmy Gilmore Photography

Jimmy Gilmore shoots happy people. With a background as an advertising creative, Jimmy has experience producing images to exacting standard that also convey a message that is fun, engaging and memorable.

An award winning writer, Jimmy blends a gift for storytelling with his passion for creating beautiful images. Above all, Jimmy believes if it is worth doing, it might as well be fun.

Archive: ‘People’



Portrait of a cat — Atlanta Portrait Photographer

Tuesday, August 31st, 2010

I wasn’t exactly plan­ning on tak­ing this shot but for­tu­nately I had my cam­era close by when I saw the cat approach­ing. Small soft­box cam­era left with speedlite at 1/4 power. Shot at 200 iso, f9 at 1/50 (for fill). Portrait of little girls - atlanta photographer

Sweet Not Home Alabama — Atlanta Portrait Photographer

Friday, August 13th, 2010

They’re so peaceful when they’re sleeping — Atlanta Family Photographer

Wednesday, August 11th, 2010

You think you know me — Atlanta Portrait Photographer

Sunday, August 1st, 2010

Every­one can tell an inter­est­ing story. Stephen uses his arms to tell his. I used a sim­ple soft­box and a lit­tle light.

Ever

Goof balll — Atlanta Kid’s Photographer

Wednesday, July 28th, 2010

Kids are goofy. That makes them the most funnest, if not the most dif­fi­cult subjects.

Fun with a cardboard box, sunglasses and a hoody — Atlanta Portrait Photographer

Wednesday, July 28th, 2010

Yeah, this is a bit mor­bid but it made a hell of a funny ad that went straight past the client and into the garbage bin.

A man and his ball — Atlanta Portrait Photography

Sunday, February 28th, 2010

Por­trait of an employee for an ad concept.

A Soundbyte Christmas Card — Atlanta Commercial Photographer

Monday, December 21st, 2009


These pho­tos were fun to take. A group of great musi­cians who write music for tele­vi­sion and com­mer­cials called me when they needed some­thing fun for their Christ­mas card. So we ripped off the Devo look and used Santa hats instead of silly plas­tic things the band used. The top photo is the select. The sec­ond two are outtakes.

Light­ing was mul­ti­ple Speedotron packs and heads with reflec­tors as key and umbrel­las as fill. Stu­dio was an evening park­ing lot blacked out by some seri­ous watt seconds.

 

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